I know I've said that every painting goes through an ugly stage, but this is more of a 'kill it with fire' stage.
I tapped into my inner Breakfast Club, and dance-montaged my painting away. At the end of the three minutes and thirty-eight seconds it took for "We Are Not Alone" to finish wailing, I had gotten this much done:
It is amazing what you can do when you set down the paints and dance. I call her "Girl with the Pearl Eye."
I liked the creepy way her milky eye stared into my soul, but my sister (the gracious model) came in and told me to finish it. I resisted, but she dragged me into her office and told me I was a punk and dared me to hit her. So I got back to work.
I was going to finish here, but something felt off. I needed to have an emotional outpouring and fall for the innocent prudish girl. Which is painter-code speak for 'do the hair.'
And that ends my first day of painting on 'Future Girl,' also known as, 'The Painting I Will Re-name Because Future Girl is Dumb.' After a good six hours and the realization that prudish girls put out too, I put on my leather gloves and headed to the nearest football field for some hardcore freeze-frame fist pumping.
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